We are grateful to have had you join us at the 14th edition of the I-Represent International Documentary Film Festival, whether in person or virtually. To the fantastic filmmakers who allowed us to showcase their films, our supportive sponsors and distinguished speakers, panelists, and moderators, and to you, our wonderful audience! Thank you🙏
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iREP 2024 Photo Highlight




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iREP 2024 FESTIVAL SCHEDULES

Any Image The 2024 edition of the iREPRESENT International Documentary Film Festival will hold March 21st – 24th at its primary home, Lagos. The prime project of the Foundation for Promotion of Documentary Film Festival in Africa (FPDFA), the leading platform for documentary films promotion in Nigeria and West Africa, will also be hosted in virtual format. Founded in 2010, the iREP Festival has the founding generic theme Africa in Self-Conversation, which encourages cross exchanges of ideas and developmental aspirations among the diverse peoples of Africa and the global black family. iREP 2024, the 14th edition of the annual ritual, will feature conversations, screenings, workshops, networking sessions, and other related activities.

THEME: The 2024 edition’s theme, RIGHTING THE FUTURE, is deliberately chosen to instigate conversation between the present and the future of the continent, as well as encourage deeper dialogue between the young people and their elders. The provocative theme is set in the context of happenings in this season of political anomalies and leadership failures in many countries of the continent



Any Image The SOYINKA Edition:

IREP 2024 is designated as “The SOYINKA edition” to commemorate the 90th birthday anniversary of the distinguished global cultural icon, poet, playwright, essayist, polemicist and Africa’s first Nobel laureate for literature, Professor Oluwole Akinwande Soyinka. He embodies the virtues of the quintessential ‘citizen activist’ with the clarity of vision and passion for the betterment of our collective humanity needed to hold power accountable to the people. Over the past six decades and more, he has consistently deployed his intellectual acumen and personal resources to defend human values and the fundamentality of the freedom of the individual to resist oppression. He is renowned to have also displayed a high degree of patriotic zeal to clamour for good governance and participatory democracy by citizens of the country, even at grave risks to his personal comfort and career. For his tenacious hold to his convictions, he has sometimes run into problem with consecutive state authorities and certain sections of the society. But he remains steadfast in his self-imposed battles to always right the wrongs he perceives in his social, cultural and political environments. These are the values and virtues, iREP hopes to spotlight and celebrate at the 2024 festival with the intention to assure members of the social milleu that they can hold on to their beliefs and convictions without being herded by the mob.


The Soyinka section will cover two days of the festival and will be staged at the Alliance Francaise, Mike Adenuga Centre, the day one keynote on RIGHTING the FUTURE: Soyinka & His Engagements will be delivered Prof Manthia Diawara, writer, filmmaker, cultural theorist, scholar, art historian, and distinguished Professor of Comparative Literature and Film at the New York University. He is the writer and director of “Negritude: A Dialogue between Wole Soyinka and Leopold Senghor.” The second day keynote on the humanistic ideals of Soyinka as reflected in his works will be delivered by Professor Awam Amkpa, Dean of Arts and Humanities, & Vice Provost at the New York University, NYUAD, and Global Network Professor of Drama, Social and Cultural Analysis, NYU New York. Each keynote will be followed by a panel discussion and screenings of films related to Soyinka’s career.


“A good documentary equips towards a decision – it might be to decide on one side or the
other of an issue, or to act towards the actualisation of an objective. At the end of any good
documentary, we are not the same. Our world is expanded, our mind is richer and hopefully,
we are inspired to act in the interest of fighting for a better world. A good documentary is
also the same as any form of storytelling- it should be a layered visual experience. Beyond
narrations, it should embrace the nuances of imagery and subliminal messages in the
context of the world of its subject. The artistic impact is
what retains its message in our consciousness.”

                                                                                                      Femi Odugbemi, fta.







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“A good documentary equips towards a decision – it might be to decide on one side or the
other of an issue, or to act towards the actualisation of an objective. At the end of any good
documentary, we are not the same. Our world is expanded, our mind is richer and hopefully,
we are inspired to act in the interest of fighting for a better world. A good documentary is
also the same as any form of storytelling- it should be a layered visual experience. Beyond
narrations, it should embrace the nuances of imagery and subliminal messages in the
context of the world of its subject. The artistic impact is
what retains its message in our consciousness.”

                                                                                                      Femi Odugbemi, fta.














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